I am interested in the mysterious nature of what endures within an internal landscape.  Continually there are shifts, transformations, and a subsequent restructuring taking place.  When I enter the studio, oceanic time prevails; I leave behind the clamoring of measured time, schedules, and deadlines.

Even in the newer work which employs horizon lines and grids, the open-ended investigation of what is timeless persists, and abstraction is my way into a vocabulary that has no need to define and pin down mystery.